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THE HIDDEN CAMERAS – Origin:Orphan
reviewed by Garrett Lyons

THE HIDDEN CAMERAS – Origin:Orphan

Toronto-based The Hidden Cameras take one part 1970s British pop along the vein of XTC and combine it with a theatrical brand of Magnetic Fields [...]

AMY MILLAN – Masters of the Burial
reviewed by Garrett Lyons

AMY MILLAN – Masters of the Burial

Amy Millan steps away from Stars and Broken Social Scene for her second solo album. Masters of the Burial is a stellar collection of delicately [...]

TIMBER TIMBRE – S/T
reviewed by Matthew Wright

TIMBER TIMBRE – S/T

Timber Timbre’s self-titled album is one of those outings that would best be described as the soundtrack to a film that’s yet to be made. [...]

ZEUS – Sounds Like Zeus
reviewed by Matthew Wright

ZEUS – Sounds Like Zeus

I’m one of the biggest fans of the garage rock revival, but it’s a canvas concerned near-exclusively with primary colors. That being said, Zeus plays [...]

STILL LIFE STILL – Pastel
reviewed by Brian McKinney

STILL LIFE STILL – Pastel

Pastel is the precursor to upcoming long-player, Girls Come Too, from Toronto five-piece, Still Life Still. With luscious undertones of fuzz, disjointed riffing, and reverb-doused [...]