FLAW
>>text
BY shahab zargari>>PIC
by erik dungan
In the middle of the desert, an
oasis called Vegas sits smack dab in the middle
of an enormous valley. Two homeless men sit on
the Las Vegas Strip and bake in the heat, sipping
on Steele Reserve — who said it was too
early to drink? It's already noon. The only thing
these two men have going for them is conversation.
And don't you dare feel sorry for them. They put
themselves in the position they are in. It was
no freak accident. One of the two has a bank account
with at least $50,000 saved up from when he, in
his past career, had been a greedy lawyer. These
two men no longer wanted to be part of the capitalistic
machine. No, they chose to be homeless. Left their
families and careers behind to live out their
lives with a new, nomadic family. More selfish
than helpless, you could say.
Joe had been a CPA, accountant for a corrupt firm
out of Henderson. He just couldn't take it any
longer: the stress, the deadlines, and the adoration
of green paper. Now he lay content in the hot
shade of Circus Circus next to the gas station,
talking to his pal, Petey.
“If you can't see that Fred Astaire and
Ginger Rogers are symbols for the new spirituality,
you're fucked. In an economy where no one can
find a job — unless your buddy can hook
you up, or you were rich before the recession
— religion doesn't fill the void that it
previously did. Ya know, centuries ago.”
“Yeah, but Fred Astaire and Ginger Rogers?
You must be crazy!”
“I'm as crazy as a mechanical eye with a
fatal flaw!”
“Shit. You…you are crazy!”
“Look, here's some interesting kids comin'
along the strip. Let's ask them what they think.”
“…crazy…”
Joe called to the two young men to come closer,
and they do. They are dressed in “punk”
fashion, complete with studded belts, patches
and buttons all over the place.
“How you doin', boys? Got any change?”
The older of the two fishes in his pockets and
pulls out over a dollar in change and dumps it
in Joe's tanned hand.
“Thank you! Name's Joe, this here's Petey…Hey,
you boys wanna drink?” Petey holds out the
communal can of Steele.
“Sure! My name's Jeff, and this is my brother,
Sam.” The boys take big gulps of the beer,
and, wincing, hand the paper bag and its contents
back to Petey. He takes another drink himself
before continuing his new conversation.
“What are all those buttons?”
“Well,” Sam opens his mouth this time,
“some are bands — like ESL, Crass…and
others are political statements…this one
is a Food Not Bombs button.”
“Wow,” Joe's eyes search for the latter
on the boy's shirt, “that's a great slogan.
We need food, not bombs! What are bums gonna do
with weapons? We need food. Lemme see that.”
Sam takes his button off and hands it to Joe.
The men look at the boy's button. It has a carrot
insignia of some sort on it with the words “food
not bombs.” Petey takes the button from
Joe's hand and pins it on his beanie.
“I hope you don't mind! You can get another
one more easily than we could! Anyway, we pulled
you over here to ask you a question. You know
who Fred Astaire and Ginger Rogers are?”
“Yup.” The boys say in unison.
“You think faith should be based on these
two floundering oldies?”
Joe quickly bats his friend with the back of his
hand. “Their graceful movements are like
meditation, you fool! Meditation will lead to
spiritual fulfillment. Faith has nothing to do
with it!”
“You crazy.” As the two begin to fight
again, the two young men have already joined the
moving crowd on the Vegas strip.
“See,” Petey says taking another swig
of the luke-warm beer, “Even they thought
you were crazy. They didn't even stay to agree
or disagree. Which means they disagree.”
“It does not mean that. Those boys weren't
even 18 yet. They could have been in a hurry to
catch up to mommy. You old fool.”
“Crazy. The button is mine, you know.”
“Shut up.” Joe finishes off the rest
of the beer, and recounts his change pile to see
if they have enough for another.
Shahab Zargari writes words
and music sporadically, runs GC
Records with his wife Heela, and they
both have a hand in raising their daughter, Mahtab. |